Remember a centerfold blond beauty of
the 50s named Jan Sterling? Remember her
husband, Sam Wanamaker?
In the late 70s New Orleans’ premier casting
director, Wilma Francis, phoned me and
said that Sam Wanamaker wanted to cast me in a James Stacy film entitled “The
Dark Side of Love”. Now deceased, Wilma asked if I and my wife
would be available to join Sam and his wife, Jan Sterling, for dinner at the
Royal Sonesta Hotel. Well, of course I
said yes and Gloria and I joined them there at the appointed date and time. I had not auditioned for this film so I had
no information about the plot or the character requirements. Wilma had shown him an audition tape from a
previous production I had tried out for.
A director is only willing to “wine
and dine” a prospective cast member if indeed the role is fairly
substantial. Wilma was also present at
this dinner meeting. Sam was extremely gracious, introducing us to
his wife, Jan, and taking the time to make Gloria feel comfortable and welcomed. We had wine and ordered the Royal Sonesta signature
cuisine.
He then began describing the
script. He said that this was a story that James Stacy
had for years wanted to bring to the screen.
If you don’t remember James Stacy, he was a young, upcoming heart throb
of the 60s. Then tragically in 1973 his
girl friend was killed and he lost his left arm and leg in a motorcycle
accident. Sam Wanamaker, also an actor, was primarily known for his
directing repertoire .... Columbo, Love
Story, The Defenders, The Wild, Wild West, I was a Mail Order Bride, Private
Benjamin, Gunsmoke and many, many
others. Jan Sterling, his wife, was also to appear in
this film. An A-list actress famous for sultry roles in films such as Johnny Belinda, Union Station, The Mating Season, Pony Express,
etc, she would be playing my wife
in this film. SAY WHAT!!! I
knew I was younger than she. I would later discover that I was 11 years younger. What
was this all about? Anyway Gloria and I
continued to enjoy the socializing, though, in my case somewhat
uncomfortably. Why would he want a
much younger actor for the role of the husband? I dared
not discuss the age difference for fear that Jan might be insulted or more
likely I’d be the one insulted. Jan
couldn’t have been sweeter or more gracious.
At the time she would have been in her mid fifties and looked absolutely
stunning. But still … 11 years age
difference?
When dinner ended, both Sam and Jan
said they were looking forward to working with me though I had not yet been
formerly offered the role. I thanked
them for a lovely evening. I thanked Wilma who said she’d let me know
when shooting would start and when I’d be getting a script.
On our drive back home I expressed to
Gloria my concern for playing a husband much younger than his wife. Gloria said “maybe they think you’re closer
to her age.” Thanks a lot, honey. I preferred to think that Sam would be grooming
Jan to be much younger. After all she
was still a beautiful woman. Of course this was all pure speculation. I still didn’t have a script, so all of my
fretting was for naught. I would simply
have to await a script.
But no script ever came. The following day Wilma called and said that
Stacy had vetoed Sam’s casting preference.
She said that Stacy had decided to cast “one of his crony friends”. He had selected Richard Venture over me. Of course I was disappointed. I forgot what network the TV film aired on,
but when I watched it (it had been renamed “My Kidnapper, My Love”), I quickly
realized that Venture, in my opinion, was more suited for the role. He was a year older than Jan Sterling and 12
years older than me and delivered a convincing portrayal. So I doubted that he was merely a “crony” of
Stacy. Didn’t really matter. He delivered the character and delivered it
well. Venture is still living today (now
89) though not currently active. His
last film was in 2001. It later occurred to me that Sam himself could
have played the husband. He looked a
lot like Venture and was near his age.
Perhaps he had cast himself and perhaps Stacy vetoed that
selection. Who knows? Pure speculation.
My late friend, Brooks Read, had a
small bit part in this film, playing a homeless vagrant…a strange piece of
casting in my opinion, though Brooks did an admirable depiction.
Who am I to advise the likes of Sam
Wanamaker? Though I truly appreciated his “appreciation”
of my talent, in retrospect I probably would have suggested he consider a more
likely match for the role. Though I love
stage much more than film (except for the money) nothing can be more stressful
or tiring than portraying a character for which you are not suited. In
film I’ve come to accept and expect the stereotypical “jerk” character types I seem
to be best suited for. Though I don’t
enjoy portraying “jerks”, the money says “It’s OK.” And on second thought I probably would NOT
have advised Wanamaker to consider a more likely match than me. After
all, as I stated earlier “Who am I to advise the likes of Sam Wanamaker? “
A perfect story to illustrate what so much of the business consists of--namely meetings and auditions and the majority of them never materializing into a role. Great evening though and fodder for an interesting story.
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